I led a discussion in the Adult Forum down at St. Stephens last Sunday in which I suggested that apocalyptic literature falls in to basically two types: apocalyptic nihilism and apocalyptic redemption, the one seeing an end to everything the other seeing destruction as the necessary precursor to renewal. Theres an awful lot of apocalypticism out there about the book these days, a good bit of it just assuming the book is going to hell in a handbasket.
I mentioned in my post earlier today that prognosticating the future of the book seems to be a growth industry. Indeed, we devoted an entire symposium to it here at Messiah College. Besides the recent articles I mentioned earlier from my colleague Jonathan Lauer, and another by Jason Epstein, I ran across this from John Thompson at Huffington Post. A lot of it was the usual and obvious grist for the blogging mill, but I was intrigued by his final point, that the death of our current models for book production and dissemination may well lead to a flourishing of smaller independent publishing concerns
Seventh, small publishing operations and innovative start-ups will proliferate, as the costs and complexities associated with the book supply chain diminish, and threats of disintermediation will abound, as both traditional and new players avail themselves of new technologies and the opportunities opened up by them to try to eat the lunch of their erstwhile collaborators.
This strikes me as a plausible idea, and an exciting one. Although Anthony Grafton lamented the loss of the demanding professional editor, I think there’s an awful lot of talented creative people out there who could bring new energy and innovation to the world of ebooks and print books alike. We might be able to look back at this time fifty years from now and see this moment as one that heralded a new beginning for the book rather than its demise. If that’s not just so much rose colored glasses.