This article from Julie Bosman at the New York Times convinces me again that the future of books will be as multi-media, multi-layered artifacts rather than script-exclusive texts. Says Bosman:
In the film versions of “Pride and Prejudice” the music jumps and swells at all the right moments, heightening the tension and romance of that classic Jane Austen novel.
Will it do the same in the e-book edition?
Booktrack, a start-up in New York, is planning to release e-books with soundtracks that play throughout the books, an experimental technology that its founders hope will change the way many novels are read.
Its first book featuring a soundtrack is “The Power of Six,” a young-adult novel published by HarperCollins, soon to be followed by “The Adventures of Huckleberry Finn,” “Jane Eyre,” “Romeo and Juliet” and “The Three Musketeers.”
In September and October, Booktrack will release editions of the short stories “In the South,” by Salman Rushdie, and “Solace,” by Jay McInerney.
“It makes a new and engaging way to read and really enhances the experience and enhances your imagination and keeps you in the story longer,” Paul Cameron, Booktrack’s 35-year-old co-founder and chief executive, said in an interview. “And it makes it fun to read again. If you’re not reading all the time, it might help you rediscover reading.”
Elsewhere in the article Bosman points out that this is an extension of the increasingly common expectation that e-books will have embedded images and even videos, and perhaps come with addition documentary footage like DVDs. The linking of text and image and sound is ancient, of course. Think illuminated manuscripts and chanted psalms. To say nothing of the fact that the Homeric odes were probably originally sung. Still, I find myself wondering about our cultures inability to tolerate silence. Distracted from distraction by distraction, as Eliot said a hundred years ago. I think he may have imagined poetry as a cure. He could not have known that someone somewhere was going to enhance our experience Burnt Norton with mood music.
Be that as it may, it seems to me that my colleagues and I at Messiah College and elsewhere who teach students to write had better get used to the fact that we will have to train not only their linguistic sensibilities, but their aural and visual sensibilities as well.
Now, what sound track should we put to Burnt Norton?